Unique features of the Art Gallery Château La Coste canopy
Renzo Piano Construction Workshop has completed the Château La Coste art gallery canopy, a sunken exhibition space with sails, placed among the vines of a winery in Aix-en-Provence, France.
This 285 square meter space is intended to both display art and preserve wine. Due to the natural terrain of the land, the architect team decided to carve a section 6 meters deep into the ground to hide the house frame completely blending into the vineyard.
Facade and roof are used Architectural stretch canvas material The white contrasts with the simple exposed concrete used for both the retaining and exhibition walls. The building's partial burial highlights a roof covered in folded sail shapes fastened to thin metal arches.
These domes repeat the lines of the surrounding vineyards, making the whole look extremely harmonious. Like a kite, the sail flies and lands, while emphasizing the lightness and breadth of the building.
The space under the canopy of Art Gallery Château La Coste is full of light
Renzo Piano used solid concrete walls to frame the building, which is submerged six meters into a valley so that its roof is flush with the landscape.
The building is located on the grounds of the Château La Coste winery, which is also home to an arts center and chapel designed by Japanese architect Tadao Ando, and installations by artists such as Tracey Emin, Alexander Calder and Ai Weiwei.
Under canopy art gallery Château La Coste, Sculpture and photography exhibitions are displayed in a 160 square meter gallery filled with natural light. The exhibition space is surrounded by wine cellars whose scale is evidenced by the alcoves at the gallery's entrance.
The Château La Coste art gallery canopy gently creates an open space
The Art Gallery's raw concrete walls serve as a neutral backdrop for the sculptures and photography displayed in the gallery's 160 square meter main space.
The two glass end walls flood the gallery with light. They also slide open to form an entrance at one end of the building and connect to a terrace overlooking the pool at the other end.
At the end of the trail, a gentle slope leads visitors to the gallery's entrance. At the rear of the building, a space dedicated to sculpture is expanded by a water mirror that reflects much of the entire width of the pavilion.
Applying stretch canvas materials to the Art Gallery canopy
Wine cellars are placed in alcoves surrounding the exhibition space. Load-bearing roof structure, which the architects likened to the sail of a boat or a kite, elongates the space and adds a sense of lightness to the concrete structure below.
The roof is made up of horizontal ridges running the width of the gallery. When viewed from above, they form a continuation of the rows of vines surrounding the building.
The roof system is formed of PVC/PES (PVDF) material, stretched over steel arches and cable channels to create 10 lightweight sails above the gallery's glass roof.
This is no ordinary PVC polyester material, the material used is Serge Ferrari's TX30 - polyester fiber with advanced PVC coating that is highly durable, low maintenance and has a dust-resistant matte surface.
The pinnacle of design and detailed construction of the Art Gallery Château La Coste canopy
Renzo Piano himself worked closely with the construction company to realize his vision for the design Roofed art gallery Château La Coste. Using both a traditional design studio approach and sketching details by hand, and combining this with modern 3D printing technology allows for the development of beautiful details at every junction of the roof structure che art gallery Château La Coste
Rainwater harvesting details demonstrate attention to detail; Based on the shape of a Swallow, the architect developed Roofed art gallery Château La Coste to direct rainwater away from the structure and avoid any splashes while maintaining beauty.
Installed in the spring to ensure the pavilion was ready for the opening ceremony in early summer, the weather was unusually wet and mud was a constant problem. Keeping the stretch film free of stains is a top priority and means a gentle touch is extremely important.
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